Cottage in the Glen
Spirited Celtic music sure to delight and captivate performed by Jody Marshall on hammered dulcimer, piano, fiddle, guitar, musette accordion and more. From 17th century Irish harp compositions, jigs and reels from Ireland and Scotland, contemporary acoustic compositions by Gordon Bok, Duanne Allman, Ian Anderson and two songs by award winning Celtic vocalist Grace Griffith. (55:07 minutes)
One of the most pleasant dulcimer albums I’ve heard recently is Cottage in the Glen [Maggie’s Music, MM232 (2005)] by dulcimer player and pianist Jody Marshall, who’s joined by fellow members of the Washington, D.C. area Celtic community. Some of the material is from the customary dulcimer realm, like Turlough O’Caroloan’s quiet air Mrs. Anne McDermott Rowe; the rest is a mix of Marshall’s originals and some delightful adaptations, such as a hammered version of Duane Allman’s guitar instrumental Little Martha, on which Marshall overdubs the dulcimer to create a sweet wall of sound. She also doubles up piano and dulcimer on a couple of sets with good effect.
-Dirty Linen Folk & World Magazine (April / May 2006)
Jody Marshall ~ hammered dulcimer, piano, harmony vocals
Paul Oorts ~ guitar, mando bass, mandolin, bouzouki, accordion ( 5 tracks)
Andrea Hoag ~ fiddle (3 tracks)
Al Petteway ~ -guitar (2 tracks)
Karen Ashbrook ~ flute (2 tracks)
Myron Bretholz ~ bodhran (2 tracks)
Grace Griffith ~ vocals (2 tracks)
Ellen James ~ harp (2 tracks)
Zan McLeod ~ guitar (1 track)
Amy White ~ mandolin (1 track)
Cathy Palmer ~ fiddle (1 track)
Elise Kress ~ flute (1 track)
Charlie Pilzer ~ acoustic bass (1 track)
Paul Nahay ~ piano (1 track)
Listen to samples of tracks 1, 2, and 9.
- Three Sisters of Erin/ Little Martha 3:31
- Cau'l Chouzano (Asturian Waltz) 4:34
- The Gaudy Bauble/In the Grip of Stronger Stuff /Ides of March/The Gaudy Bauble (Reprise) 7:13
- Brandy Tree 3:29
- Mrs. Anne McDermott Rowe 2:48
- Ross' Reel, No. 4/Robertson's Hornpipe/Banks Hornpipe 3:36
- Ragtime Tabby/Catnip Fling/Scattercat Polka 5:20
- Words Unspoken/Labyrinth 7:33
- A Cottage in the Glen 3:19
- Vivace 2:42
- Pumpherston Hornpipe/Puddleglum's Misery 4:30
- Summer Garland/Miss Stewart of Grantully/Half-Past Three/The High Road to Linton 5:55
For me, one of the best things about music is the fellowship it creates.
In my life music has been a focal point around which a lot of wonderful
friendships and artistic collaborations have grown and flourished,
and it has provided a framework for so many great experiences.This
collection of original and traditional music is, in large part, a celebration
of musical fellowship and an acknowledgement of many of the friends
with whom I’ve had the great pleasure of sharing music through
the years. As each person contributed his or her unique gifts to the
mix (so to speak), it was truly a thrill to watch the tunes become
more than the sum of their parts. And it’s a thrill to be able
to share them with you!
— Jody Marshall
1. Three Sisters of Erin (© Jody Marshall [BMI]) / Little Martha
(Duane Allman) —
3:31 hammered dulcimers, percussion.
In Ireland, the Nore, Barrow, and Suir rivers—known as the “Three Sisters”—converge in the city of Waterford. In the first tune of this set, three separate dulcimer tracks converge to create a musical interpretation of cascading water. I’ve lost count of how many dulcimer tracks I ended up with in “Little Martha,” a tune I learned from the Allman Brothers’ classic album, “Eat a Peach.”
2. Cau’l Chouzano (Fernando Largo)
4:34 hammered dulcimer, Celtic harp (Ellen), silver flute (Elise), fiddle (Cathy)
A beautiful tune from Asturias, a Celtic region on the north coast of Spain. I am joined here by my band mates from the Celtic ensemble, MoonFire.
3. Celtic Jig Suite: The Gaudy Bauble (Amy White) / In the Grip
of Stronger Stuff (Ian Anderson) / Ides of March (c Jody Marshall
[BMI]) / Gaudy Bauble Reprise
7:13 piano, hammered dulcimer, fiddle (Andrea), bodhran & bones, shaker, mandolin (Amy), guitar (Al), tambourine & djembe (Steve), electric bass (Rico), bouzouki (Paul O.)
I’m grateful to Amy White for her wonderful tune, which marks the beginning and end of this journey in 6/8 time. I first heard the second tune at a Jethro Tull concert and adapted the melody for hammered dulcimer and mandolin. The third tune came to me during the wee hours of a March morning as the wind blustered outside.
4. The Brandy Tree (Otter’s Song) (Gordon Bok)
3:29 hammered dulcimer, vocals (Grace lead; Jody harmony), guitars (Al), piano (Paul N.)
Here’s what Gordon Bok says about this whimsical song: “I learned this from a small otter on Sherman’s Point, Knox County, Maine, on a cold morning in 1966. The refrain is my own.”
5. Mrs. Anne McDermott Rowe (Turlough O’Carolan)
2:48 solo hammered dulcimer
O’Carolan is the best-known of the 17th- and 18th-century itinerant Irish harpers. Many of his compositions are well suited to the hammered dulcimer.
6. Ross’ Reel no. 4 (trad. New England / Robertson’s
Hornpipe (trad. Scottish) Banks Hornpipe (Parazotti)
3:36 hammered dulcimer, piano
A New England contra-dance tune (presented here with the second part first, an inspiration from the playing of fiddler Alisdair Fraser), followed by two tunes from the Scottish dance tradition. I particularly enjoyed playing with the classical elements of Banks Hornpipe, which is attributed to Parazotti, a 19th-century Italian fiddler.
7. Ragtime Tabby / Catnip Fling / Scattercat Polka (c Jody Marshall
5:20 piano, hammered dulcimer, mandolin & guitar & accordion (Paul O.), fiddle (Andrea)
The antics of our many and varied cats inspired me to write these tunes.
8. Words Unspoken / Labyrinth (c Jody Marshall [BMI])
7:33 piano, hammered dulcimer, Celtic harp, chime, percussion, fretless bass (Rico)
Sometimes, it’s the words you don’t say that speak volumes …Long used for walking meditations, a labyrinth has a single path that leads to the center and back out again. The second piece in this set explores the fact that, sometimes, you end up right back where you started.
9. A Cottage in the Glen (c Jody Marshall [BMI])
3:19 piano, fiddle (Andrea), wooden flute (Karen), guitar (Paul O)
Oh, to have a little cottage where friends can drop by and share tunes around the hearth .... A musical toast to simple pleasures.
10. Vivace (Adam Falckenhagen)
2:42 hammered dulcimer, classical guitar (Paul O.)
Falckenhagen was an 18th-century German composer and lutenist. I like to play this lovely piece at a slower tempo than its title suggests.
11. Pumpherston Hornpipe (Jim Sutherland) / Puddleglum’s
Misery (John Kirkpatrick)
4:30.hammered dulcimer, wooden flute (Karen), mandocello & guitar (Paul O.), acoustic bass (Charlie)
When I first heard these two twisty tunes I knew they belonged together. Their chromatic nature makes for quite an adventure on the hammered dulcimer! Pumpherston Hornpipe was originally written for the euphonium, a big brass wind instrument (basically a bugle on steroids).
12. Summer Garland (a.k.a. “The May Song”) (music by
Padraigin Ni Uallachain; English translation of traditional Gaelic
words adapted by Grace Griffith) / Miss Stewart of Grantully (Neil
Gow) / Half-Past Three (c Jody Marshall [BMI]) / The High Road to
5:55 hammered dulcimer, vocals (Grace lead; Jody and Carey harmony and background), guitars (Zan), bodhran
There are many versions of the summer carol known as The May Song. This one is based on a version set to music by Gaelic singer Padraigin Ni Uallachain. The Gaelic chorus of the song translates as follows:
Golden summer from sunset
We brought the summer garland with us
From town to town and home afterwards
We brought the summer garland with us.
Miss Stewart is a Scottish tune typically played as both a march and a strathspey. My version is more or less a combination of the two. Half-Past Three is an example of the fruits of insomnia. And The High Road to Linton is a popular Scottish reel.